A New Collection Exploration: Interwoven Tales of Suffering
Twelve-year-old Freya is visiting her self-absorbed mother in Cornwall when she encounters teenage twins. "The only thing better than being aware of a secret," they tell her, "is having one of your own." In the time that come after, they will rape her, then bury her alive, blend of anxiety and irritation passing across their faces as they eventually free her from her temporary coffin.
This might have stood as the jarring centrepiece of a novel, but it's merely a single of numerous horrific events in The Elements, which assembles four short novels – issued individually between 2023 and 2025 – in which characters navigate previous suffering and try to find peace in the current moment.
Controversial Context and Thematic Exploration
The book's publication has been overshadowed by the addition of Earth, the subsequent novella, on the candidate list for a notable LGBTQ+ writing prize. In August, most other candidates dropped out in objection at the author's controversial views – and this year's prize has now been cancelled.
Discussion of trans rights is absent from The Elements, although the author explores plenty of significant issues. Anti-gay prejudice, the influence of conventional and digital platforms, parental neglect and abuse are all explored.
Distinct Narratives of Pain
- In Water, a grieving woman named Willow moves to a isolated Irish island after her husband is imprisoned for awful crimes.
- In Earth, Evan is a footballer on trial as an accessory to rape.
- In Fire, the mature Freya manages revenge with her work as a surgeon.
- In Air, a dad travels to a funeral with his adolescent son, and wonders how much to reveal about his family's history.
Suffering is accumulated upon trauma as hurt survivors seem destined to encounter each other continuously for all time
Related Narratives
Connections multiply. We initially encounter Evan as a boy trying to leave the island of Water. His trial's panel contains the Freya who shows up again in Fire. Aaron, the father from Air, works with Freya and has a child with Willow's daughter. Supporting characters from one account reappear in cottages, bars or judicial venues in another.
These plot threads may sound complicated, but the author understands how to power a narrative – his earlier successful Holocaust drama has sold many copies, and he has been translated into numerous languages. His direct prose bristles with gripping hooks: "after all, a doctor in the burns unit should know better than to toy with fire"; "the initial action I do when I reach the island is modify my name".
Personality Development and Storytelling Strength
Characters are sketched in succinct, impactful lines: the empathetic Nigerian priest, the disturbed pub landlord, the daughter at conflict with her mother. Some scenes echo with sad power or observational humour: a boy is hit by his father after having an accident at a football match; a prejudiced island mother and her Dublin-raised neighbour exchange insults over cups of diluted tea.
The author's ability of carrying you wholeheartedly into each narrative gives the comeback of a character or plot strand from an prior story a genuine excitement, for the opening times at least. Yet the cumulative effect of it all is dulling, and at times practically comic: trauma is accumulated upon pain, accident on coincidence in a grim farce in which damaged survivors seem destined to bump into each other continuously for all time.
Thematic Complexity and Final Assessment
If this sounds not exactly life and resembling uncertainty, that is part of the author's thesis. These damaged people are weighed down by the crimes they have suffered, caught in routines of thought and behavior that churn and spiral and may in turn damage others. The author has discussed about the influence of his individual experiences of mistreatment and he portrays with compassion the way his ensemble navigate this perilous landscape, reaching out for treatments – seclusion, icy sea dips, resolution or invigorating honesty – that might bring illumination.
The book's "elemental" concept isn't particularly instructive, while the rapid pace means the examination of social issues or online networks is primarily superficial. But while The Elements is a flawed work, it's also a thoroughly readable, survivor-centered epic: a valued response to the common obsession on investigators and offenders. The author illustrates how trauma can affect lives and generations, and how duration and care can silence its reverberations.